about the cassette

The removal unveils a space. Each esoteric presence vacates a loose image for an apparent prophetic arcade. Each one supersedes something more or less consciously. Suspended between K-space and the noosphere, there lies an inescapable weight of futility. This is shaped by a hermetic theory of sifting dissipators and replicative containers. Redundancies here serve the intent of reducing features, channeling delinearizing strategies for absentees. Where apperception occurs, insentience inexorably follows.

Succeeding this “sensationism” inflation on a personal level, two melody frameworks loom in a computer-generated setting. Their desire is to infiltrate mirror images that, from time to time, cast models of melancholic rock stasis alongside processes of noise-recombinant conversions. Simultaneously, Jonathan Parant deliberately displays material effects around signals through the complicity of his guitar fluxes and vocal strata.

Joining him are Dominic Jasmin, whose nonconformist bass playing and disruptive electronics defy expectations, and Sam Bobony, whose drums measure coherence amid disarray. Together, they shape the "band" into an open dimension — a woven collusion of parameters. They rearrange intensive discontinuities by mapping instruments onto the realm of spectres: externalized through psychoactive synthesis, internalized by confessing distinctions, generated in swarms of frequencies, and intensified through interrupted relays executed via the electroacoustic tactics of Roger Tellier-Craig.

The result is two spiritual phased ballads authored by Actors Artificial’s psychic field, in deference to a mind-altering music label: Disfold ltd.