Devotional Music For Invisible Cities

14,00

in stock

about the cassette

An anonymous collection of imagined Devotional Music. The listeners, like the artists, are given thirteen “Invisible Cities” and a belief statement shrouded in enigma:

“Their City Tessellates Infinitely”
“Their God Is Ugly”
“No Two Chants Can Repeat,” repeated until unimaginably portentous.

These songs play out like the products of a delirious ethnography. Their palette, all deranged chorales and Globalisch instrumentation, calls to mind everything from Michael Nyman to Demdike Stare, Ghostbox to Angelo Badalamenti, perhaps even Broadcast on a particularly awkward day.

  1. 1 - Their God Is Ugly 03:48
  2. 2 - Their City Tesselates Infinitely 03:01
  3. 3 - The Devoted Destroy All Machinery 02:01
  4. 4 - They Celebrate Imaginary Victories 03:21
  5. 5 - The Devout Vary Their Chants 03:06
  6. 6 - These People Are Exhausted 04:52
  7. 7 - They Pray To His Data 01:39
  8. 8 - Their Devotion Is Choreographed Across The Lands 03:41
  9. 9 - No Two Chants Can Repeat 04:10
  10. 10 - Love Of Pleasure Is All 04:07
  11. 11 - Abstract Devotions Earn Most Love 05:00
  12. 12 - Immobile, They Fantasise Endlessly 03:05
  13. 13 - The Newest Material Is Most Sacred 02:27
Devotional Music For Invisible Cities

14,00

in stock

  1. 1 - Their God Is Ugly 03:48
  2. 2 - Their City Tesselates Infinitely 03:01
  3. 3 - The Devoted Destroy All Machinery 02:01
  4. 4 - They Celebrate Imaginary Victories 03:21
  5. 5 - The Devout Vary Their Chants 03:06
  6. 6 - These People Are Exhausted 04:52
  7. 7 - They Pray To His Data 01:39
  8. 8 - Their Devotion Is Choreographed Across The Lands 03:41
  9. 9 - No Two Chants Can Repeat 04:10
  10. 10 - Love Of Pleasure Is All 04:07
  11. 11 - Abstract Devotions Earn Most Love 05:00
  12. 12 - Immobile, They Fantasise Endlessly 03:05
  13. 13 - The Newest Material Is Most Sacred 02:27

about the cassette

An anonymous collection of imagined Devotional Music. The listeners, like the artists, are given thirteen “Invisible Cities” and a belief statement shrouded in enigma:

“Their City Tessellates Infinitely”
“Their God Is Ugly”
“No Two Chants Can Repeat,” repeated until unimaginably portentous.

These songs play out like the products of a delirious ethnography. Their palette, all deranged chorales and Globalisch instrumentation, calls to mind everything from Michael Nyman to Demdike Stare, Ghostbox to Angelo Badalamenti, perhaps even Broadcast on a particularly awkward day.

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