A sonic equivalent to “the still point of the turning world.” Variations A and B transmute sound into space.
Eternity divided by time. Everything else is experience. New York based artist John D. Murphy merges the ephemeral stasis of La Monte Young's infamous piece Composition 1960 #7 with the basic elements of techno music. The repetitiveness of a four quarter beat compliments two synthesizers in different keys creating a mesmerizing meditation. On his second variation, Murphy gives his machines more room to breathe, opening many more subtle sonic spaces to dive in.
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A sonic equivalent to “the still point of the turning world.” Variations A and B transmute sound into space.
Eternity divided by time. Everything else is experience. New York based artist John D. Murphy merges the ephemeral stasis of La Monte Young's infamous piece Composition 1960 #7 with the basic elements of techno music. The repetitiveness of a four quarter beat compliments two synthesizers in different keys creating a mesmerizing meditation. On his second variation, Murphy gives his machines more room to breathe, opening many more subtle sonic spaces to dive in.
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