Enthusiasm

22,00

only 2 left

about the record

Lennert Jacobs' music is an echo of his imagination. Specifics of musical styles fade obliquely in service of resonance on a deeper level—sound speaking on a universal language with innately humorous wonkiness whirling you into a state of pure delight. Kaleidoscopic keyboards shape a celebration of freedom and spontaneity. With warped beats, the songs clatter in crafted structures to create obscure alternative atmospheres.

Enthusiasm is a sonic lens that lands right from the first moment you hear it, a showcase of musical talent and intuitive expression. Lennert Jacobs does an excellent job of investing and producing mainly instrumental compositions which manage to touch on a wide variety of emotions over the course of their unfolding. The duality of the composer is on full holistic display: the lighter side—relaxing, ethereal, and dreamy, and the darker—disturbing and uncanny.

  1. 1 - Schwalbe 2:58
  2. 2 - Emoji In Limbo 5:11
  3. 3 - The Mission 4:50
  4. 4 - Midnight Blue 4:15
  5. 5 - Nana's Theme 2:31
  6. 6 - Westende 3:42
  7. 7 - Don't Be Funny 4:10
  8. 8 - Hellbender II 3:14
  9. 9 - Dusty Hill 6:36
Enthusiasm

22,00

only 2 left

  1. 1 - Schwalbe 2:58
  2. 2 - Emoji In Limbo 5:11
  3. 3 - The Mission 4:50
  4. 4 - Midnight Blue 4:15
  5. 5 - Nana's Theme 2:31
  6. 6 - Westende 3:42
  7. 7 - Don't Be Funny 4:10
  8. 8 - Hellbender II 3:14
  9. 9 - Dusty Hill 6:36

about the record

Lennert Jacobs' music is an echo of his imagination. Specifics of musical styles fade obliquely in service of resonance on a deeper level—sound speaking on a universal language with innately humorous wonkiness whirling you into a state of pure delight. Kaleidoscopic keyboards shape a celebration of freedom and spontaneity. With warped beats, the songs clatter in crafted structures to create obscure alternative atmospheres.

Enthusiasm is a sonic lens that lands right from the first moment you hear it, a showcase of musical talent and intuitive expression. Lennert Jacobs does an excellent job of investing and producing mainly instrumental compositions which manage to touch on a wide variety of emotions over the course of their unfolding. The duality of the composer is on full holistic display: the lighter side—relaxing, ethereal, and dreamy, and the darker—disturbing and uncanny.

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