Underlying Lucrecia’s straightforward spoken word are the poetics of an underworld in both scientific and metaphysical dimensions. This record is imbued with the consciousness of caverns as immutable witnesses to time, where stalagmites rise to dizzying heights in the blink of an eye.
Lucrecia Dalt’s Anticlines is a volume of poetic theory and sound contemplating the bodies of self above and beneath the earth’s surface. On Anticlines, Dalt conjures a sonic space of speculative synthesis and spoken word where South American rhythms rattle contemporary composition recalling Laurie Anderson, Robert Ashley, and Annea Lockwood. This record comes with lyric booklet documenting Dalt’s collaborative work with Regina de Miguel and Henry Andersen alongside a multi-format digital download code.
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Underlying Lucrecia’s straightforward spoken word are the poetics of an underworld in both scientific and metaphysical dimensions. This record is imbued with the consciousness of caverns as immutable witnesses to time, where stalagmites rise to dizzying heights in the blink of an eye.
Lucrecia Dalt’s Anticlines is a volume of poetic theory and sound contemplating the bodies of self above and beneath the earth’s surface. On Anticlines, Dalt conjures a sonic space of speculative synthesis and spoken word where South American rhythms rattle contemporary composition recalling Laurie Anderson, Robert Ashley, and Annea Lockwood. This record comes with lyric booklet documenting Dalt’s collaborative work with Regina de Miguel and Henry Andersen alongside a multi-format digital download code.
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