why we love this

This record contains ten poignant perspectives on animating the inanimate. A range of objects, from young bamboo to 100-yen shop ephemera, become instruments to be played, or rather sounded, forming an assemblage of Japan’s interior lives.

about the cassette

This excerpt from the text on the tape sleeve, written by philosopher Motoaki Iimori, explores the concept of monooto as a genuine encounter with objects:

"The whispers of countless items draw us into an unfamiliar realm, directing our ears toward the shadows where they reside. This is the emerging music genre known as monooto.

Interestingly, the Japanese term mono (もの), meaning 'thing' or 'object,' carries a subtle eeriness. According to the Nihon Kokugo Daijiten, mono can also denote deities, spirits, or objects of fear and reverence, including ghosts and vengeful spirits. Terms like mononoke (vengeful spirit or monster) reflect this notion of mono as entities that transcend our understanding."

  1. 1 - Tetsuya Nakayama - "Minoru" 5:05
  2. 2 - Masami Tada - "Katakata" 5:47
  3. 3 - Shuta Hiraki - "Kara no Kazaana" 1:58
  4. 4 - Masahiro Sugaya - "鳴ってしまう / It Sounds" 3:06
  5. 5 - yasuhito suzuki - "Monotone" 5:17
  6. 6 - S. Grey - "Aprilled" 3:13
  7. 7 - Natsumi Nogawa - "Flower Pods" 4:54
  8. 8 - Masayuki Imanishi - "Deck" 3:02
  9. 9 - Leo Okagawa - "Hz" 5:58
  10. 10 - sorta opalka - "ObjectO" 3:26

16,00

only 3 left

  1. 1 - Tetsuya Nakayama - "Minoru" 5:05
  2. 2 - Masami Tada - "Katakata" 5:47
  3. 3 - Shuta Hiraki - "Kara no Kazaana" 1:58
  4. 4 - Masahiro Sugaya - "鳴ってしまう / It Sounds" 3:06
  5. 5 - yasuhito suzuki - "Monotone" 5:17
  6. 6 - S. Grey - "Aprilled" 3:13
  7. 7 - Natsumi Nogawa - "Flower Pods" 4:54
  8. 8 - Masayuki Imanishi - "Deck" 3:02
  9. 9 - Leo Okagawa - "Hz" 5:58
  10. 10 - sorta opalka - "ObjectO" 3:26

why we love this

This record contains ten poignant perspectives on animating the inanimate. A range of objects, from young bamboo to 100-yen shop ephemera, become instruments to be played, or rather sounded, forming an assemblage of Japan’s interior lives.

about the cassette

This excerpt from the text on the tape sleeve, written by philosopher Motoaki Iimori, explores the concept of monooto as a genuine encounter with objects:

"The whispers of countless items draw us into an unfamiliar realm, directing our ears toward the shadows where they reside. This is the emerging music genre known as monooto.

Interestingly, the Japanese term mono (もの), meaning 'thing' or 'object,' carries a subtle eeriness. According to the Nihon Kokugo Daijiten, mono can also denote deities, spirits, or objects of fear and reverence, including ghosts and vengeful spirits. Terms like mononoke (vengeful spirit or monster) reflect this notion of mono as entities that transcend our understanding."

fits in the mood

more by ato.archives

want to stay in the loop?

sign up for moody picks, inspiring interviews & more.