Spells is the debut release by Los Angeles based multi-instrumentalist and composer Nailah Hunter on Leaving Records. Each of the EPโs six tracks represent a spell, a unique sonic place forged by imagination and incantation. Ambient in nature, each spell highlights Hunterโs skills as a composer. โIt really started off with me just wanting to kind of reclaim the way that I thought about creating music and then also performing it,โ Hunter says. โI was like, okay. I need to get back to the basics of why I like to create and what it does for me โฆ so I set out to make spells, in the sense that each layer is one of the steps in incantation... It became about purpose... the procedure and the ritual, so that when it came to performing it, I wasnโt able to get into my head about it because I was just carrying out these steps. Each track is its own incantation, its own spell, its own world.โ Colorful atmospheres permeate Spells, each track offering tranquil, reflective setting. Hunter explains, โAnother thing that I always wanted to focus on and through making this project have sort of been able to name is that, I like to create places, songs as locations ...whether there are field recordings [involved] or not.โ
Opening track โSoilโ is accompanied by a poem: โa seed is sown, a song from silence.โ Its beautiful harp and angelic voices establish the albumโs mode of beautiful stillness. This is followed by โRuins,โ a tranquil soundscape abetted by insect field recordings and a slightly warped, heaven-bound trajectory, described by Hunter as a love spell. โAnother thing thatโs really important to me about my relationship with music is synesthesia. Itโs all very palette based... For the song โRuins,โ it comes on like magenta and clementine.โ On the colors present in the single โWhite Flower, Dark Hill,โ Hunter describes โthe idea of the purples and navies of the night sky and the way that shadows appear under full moonlight, the different shades of moonlight, and how it always brings out the color white.โ Each trackโs nuanced production and big, emotional sounds do carry a charged energy, colorful and magnetic. The shifting phases and sustained drones of โEnterโ mimic the feeling of approaching and walking through a rift into a fantastical world. The listener is advanced into album highlight โQuiet Light,โ which Hunter states captures, โthat feeling of being like golden light in a cold still pool of water, this very specific image and feeling that I just love so much.โ
Spells is a powerful opening statement that uses this musician's innate artistic gifts to promote healing and self awareness. Of the albumโs inspirations, she adds, โdefinitely rune magick and just the idea of creating places of rest โฆ sonic places of rest, places to ponder and consider your feelings. Me making music, itโs always been about healing for me and making myself feel better. If other people listen to it and also feel better, then that is delightful.โ
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Spells is the debut release by Los Angeles based multi-instrumentalist and composer Nailah Hunter on Leaving Records. Each of the EPโs six tracks represent a spell, a unique sonic place forged by imagination and incantation. Ambient in nature, each spell highlights Hunterโs skills as a composer. โIt really started off with me just wanting to kind of reclaim the way that I thought about creating music and then also performing it,โ Hunter says. โI was like, okay. I need to get back to the basics of why I like to create and what it does for me โฆ so I set out to make spells, in the sense that each layer is one of the steps in incantation... It became about purpose... the procedure and the ritual, so that when it came to performing it, I wasnโt able to get into my head about it because I was just carrying out these steps. Each track is its own incantation, its own spell, its own world.โ Colorful atmospheres permeate Spells, each track offering tranquil, reflective setting. Hunter explains, โAnother thing that I always wanted to focus on and through making this project have sort of been able to name is that, I like to create places, songs as locations ...whether there are field recordings [involved] or not.โ
Opening track โSoilโ is accompanied by a poem: โa seed is sown, a song from silence.โ Its beautiful harp and angelic voices establish the albumโs mode of beautiful stillness. This is followed by โRuins,โ a tranquil soundscape abetted by insect field recordings and a slightly warped, heaven-bound trajectory, described by Hunter as a love spell. โAnother thing thatโs really important to me about my relationship with music is synesthesia. Itโs all very palette based... For the song โRuins,โ it comes on like magenta and clementine.โ On the colors present in the single โWhite Flower, Dark Hill,โ Hunter describes โthe idea of the purples and navies of the night sky and the way that shadows appear under full moonlight, the different shades of moonlight, and how it always brings out the color white.โ Each trackโs nuanced production and big, emotional sounds do carry a charged energy, colorful and magnetic. The shifting phases and sustained drones of โEnterโ mimic the feeling of approaching and walking through a rift into a fantastical world. The listener is advanced into album highlight โQuiet Light,โ which Hunter states captures, โthat feeling of being like golden light in a cold still pool of water, this very specific image and feeling that I just love so much.โ
Spells is a powerful opening statement that uses this musician's innate artistic gifts to promote healing and self awareness. Of the albumโs inspirations, she adds, โdefinitely rune magick and just the idea of creating places of rest โฆ sonic places of rest, places to ponder and consider your feelings. Me making music, itโs always been about healing for me and making myself feel better. If other people listen to it and also feel better, then that is delightful.โ
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