why we love this
A sonic equivalent to โthe still point of the turning world.โ Variations A and B transmute sound into space.
about the cassette
Eternity divided by time. Everything else is experience. New York based artist John D. Murphy merges the ephemeral stasis of La Monte Young's infamous piece Composition 1960 #7 with the basic elements of techno music. The repetitiveness of a four quarter beat compliments two synthesizers in different keys creating a mesmerizing meditation. On his second variation, Murphy gives his machines more room to breathe, opening many more subtle sonic spaces to dive in.
- 1 - Composition 1960 #7 (Variation A) 19:44
- 2 - Composition 1960 #7 (Variation B) 20:04
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- 1 - Composition 1960 #7 (Variation A) 19:44
- 2 - Composition 1960 #7 (Variation B) 20:04
Embed
Copy and paste this code to your site to embed.
why we love this
A sonic equivalent to โthe still point of the turning world.โ Variations A and B transmute sound into space.
about the cassette
Eternity divided by time. Everything else is experience. New York based artist John D. Murphy merges the ephemeral stasis of La Monte Young's infamous piece Composition 1960 #7 with the basic elements of techno music. The repetitiveness of a four quarter beat compliments two synthesizers in different keys creating a mesmerizing meditation. On his second variation, Murphy gives his machines more room to breathe, opening many more subtle sonic spaces to dive in.