about the record
Words as mirrors in a framework of clatter shape the arches to VOICE ACTOR’s pavilion. Surrounded by offerings of flowers, a construction is shown. The unusual compact scale conforms to tiny standards for intimate listening. All is half-height, so the visitor has to enter on hands and knees. From the verandah a crumbling, overgrown statue can be glimpsed, pointing at the pond nearby. The water is framed by a soundfence of endless space nobody can leap, a tree branch repetitively dips into it from above. Visitors can be seated on large rocks and have the surprising pleasure of hearing tear-stained but triumphant hearts sing.
- 1 - HHBYTL Ft. Yarrow.co 1:38
- 2 - SLUSH 77 4:14
- 3 - U Projected 2 2:07
- 4 - Daydream 2:21
- 5 - Let U Go 3:42
- 6 - Camden 5:14
- 8 - Stand Tall 2:54
- 9 - Freefall 2:26
- 10 - False Glistening 2:45
- 11 - Minefields 2:50
- 12 - Exposed 2:00
- 13 - Closer 0:44
- 14 - Myself 2 Myself 2:04
- 15 - Shoulder Length 2:01
- 16 - Pelli 6:05
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€24,00
in stock
- 1 - HHBYTL Ft. Yarrow.co 1:38
- 2 - SLUSH 77 4:14
- 3 - U Projected 2 2:07
- 4 - Daydream 2:21
- 5 - Let U Go 3:42
- 6 - Camden 5:14
- 8 - Stand Tall 2:54
- 9 - Freefall 2:26
- 10 - False Glistening 2:45
- 11 - Minefields 2:50
- 12 - Exposed 2:00
- 13 - Closer 0:44
- 14 - Myself 2 Myself 2:04
- 15 - Shoulder Length 2:01
- 16 - Pelli 6:05
Embed
Copy and paste this code to your site to embed.
about the record
Words as mirrors in a framework of clatter shape the arches to VOICE ACTOR’s pavilion. Surrounded by offerings of flowers, a construction is shown. The unusual compact scale conforms to tiny standards for intimate listening. All is half-height, so the visitor has to enter on hands and knees. From the verandah a crumbling, overgrown statue can be glimpsed, pointing at the pond nearby. The water is framed by a soundfence of endless space nobody can leap, a tree branch repetitively dips into it from above. Visitors can be seated on large rocks and have the surprising pleasure of hearing tear-stained but triumphant hearts sing.