why we love this
Like looking through a microscope at a restless microcosm darting out of view, the listener is drawn to examine the rhythms, patterns, and sounds more closely—but it’s an impossible feat. The incredible dexterity in sonic programming, layering, and collaging makes for an explosive album from start to finish.
about the record
Full of stunted rhythms and eerie melodies, the unclassifiable music of nrl:ndr lies somewhere in the vicinity of IDM, classical avant-garde, and private press synth. From the epic opening track—echoing the post-kraut drumming style of Michael Shrieve—to juggling chopped-up vocal samples and treading into almost trap-like territories on A4, he crosses into a multitude of genres without getting too mired in nostalgia.
- A1 0:30
- A2 0:30
- A3 0:30
- A4 0:30
- A5 0:30
- B1 0:30
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- B3 0:30
- B4 0:30
- B5 0:30
€29,00
only 3 left
- A1 0:30
- A2 0:30
- A3 0:30
- A4 0:30
- A5 0:30
- B1 0:30
- B2 0:30
- B3 0:30
- B4 0:30
- B5 0:30
why we love this
Like looking through a microscope at a restless microcosm darting out of view, the listener is drawn to examine the rhythms, patterns, and sounds more closely—but it’s an impossible feat. The incredible dexterity in sonic programming, layering, and collaging makes for an explosive album from start to finish.
about the record
Full of stunted rhythms and eerie melodies, the unclassifiable music of nrl:ndr lies somewhere in the vicinity of IDM, classical avant-garde, and private press synth. From the epic opening track—echoing the post-kraut drumming style of Michael Shrieve—to juggling chopped-up vocal samples and treading into almost trap-like territories on A4, he crosses into a multitude of genres without getting too mired in nostalgia.
