€26,00
in stock
why we love this
Warm textures scaffold a complex yet deceptively relaxed web of guitar and percussion that unfolds with pristine, asymmetric fluency. The instrumentation is subtle in its movements yet adventurous in its interplay, with electronic flourishes brushing against oaky surfaces as a playful sonic finish.
about the record
dessus oben alto up is the first collaborative recording by Andrea Belfi and Jules Reidy. Created during a residency at the sound studio of Callie’s, a Berlin arts institution housed in a 19th-century machine factory, the pair have conjured up four expansive pieces where the beautifully recorded percussive clarity of Belfi’s drums threads through a sparkling haze of guitars and electronics.
Around the traditional instruments and across the stereo field, electronic sounds swarm and swirl, fizzing and popping in a sun-drenched soundscape that at points suggests both vintage analogue synth destruction and glitching harmonies. Change is at once so subtle and so ever-present that, at any given moment, the listener can never be entirely sure quite how they got there.
- 1 - dessus 5:35
- 2 - oben 10:15
- 3 - alto 8:35
- 4 - up 15:08
€26,00
in stock
- 1 - dessus 5:35
- 2 - oben 10:15
- 3 - alto 8:35
- 4 - up 15:08
why we love this
Warm textures scaffold a complex yet deceptively relaxed web of guitar and percussion that unfolds with pristine, asymmetric fluency. The instrumentation is subtle in its movements yet adventurous in its interplay, with electronic flourishes brushing against oaky surfaces as a playful sonic finish.
about the record
dessus oben alto up is the first collaborative recording by Andrea Belfi and Jules Reidy. Created during a residency at the sound studio of Callie’s, a Berlin arts institution housed in a 19th-century machine factory, the pair have conjured up four expansive pieces where the beautifully recorded percussive clarity of Belfi’s drums threads through a sparkling haze of guitars and electronics.
Around the traditional instruments and across the stereo field, electronic sounds swarm and swirl, fizzing and popping in a sun-drenched soundscape that at points suggests both vintage analogue synth destruction and glitching harmonies. Change is at once so subtle and so ever-present that, at any given moment, the listener can never be entirely sure quite how they got there.
