€23,00
out of stock
about the record
‘The Order of Change’ focuses on Suso Saiz’s output as part of the group Orquesta De Las Nubes, formed by Suso Saiz and percussionist Pedro Estevan when the two met whilst studying a course on ‘Techniques of Contemporary Composition’ in Madrid.
Sharing a curiosity for American minimalist and Non-Western music, the pair began to share music through many listening sessions, during which the idea slowly evolved to try and make music together. Pedro’s partner at the time, soprano singer María Villa, would later join the two on vocals. With Suso’s sparse use of guitar loops, synthesizers, and drum computers in combination with the hypnotic percussion of Pedro Estevan and the wordless drifting vocals of María Villa, Orquesta De La Nubes would evolve as a group with a truly unique musical language; an ethereal and almost otherworldly musical realm.
- 1 - Un Regalo 2:00
- 2 - Vendrán Lluvias Suaves 2:00
- 3 - Tres Ostras 1:25
- 4 - Tiempo De Espera 2:00
- 5 - Para Que Pasen Las Termitas 2:00
- 6 - Cama Diarmónica 2:01
- 7 - Como Un Guante 2:00
- 8 - El Orden Del Azar 2:00
- 9 - Me Paro Cuando Suena - Divertimento Segundo 2:00
- 10 - Ella No Lleva Gafas 2:00
€23,00
out of stock
- 1 - Un Regalo 2:00
- 2 - Vendrán Lluvias Suaves 2:00
- 3 - Tres Ostras 1:25
- 4 - Tiempo De Espera 2:00
- 5 - Para Que Pasen Las Termitas 2:00
- 6 - Cama Diarmónica 2:01
- 7 - Como Un Guante 2:00
- 8 - El Orden Del Azar 2:00
- 9 - Me Paro Cuando Suena - Divertimento Segundo 2:00
- 10 - Ella No Lleva Gafas 2:00
about the record
‘The Order of Change’ focuses on Suso Saiz’s output as part of the group Orquesta De Las Nubes, formed by Suso Saiz and percussionist Pedro Estevan when the two met whilst studying a course on ‘Techniques of Contemporary Composition’ in Madrid.
Sharing a curiosity for American minimalist and Non-Western music, the pair began to share music through many listening sessions, during which the idea slowly evolved to try and make music together. Pedro’s partner at the time, soprano singer María Villa, would later join the two on vocals. With Suso’s sparse use of guitar loops, synthesizers, and drum computers in combination with the hypnotic percussion of Pedro Estevan and the wordless drifting vocals of María Villa, Orquesta De La Nubes would evolve as a group with a truly unique musical language; an ethereal and almost otherworldly musical realm.
