caught in pointers

28,00

in stock

why we love this

Like walking through an empty arcade with machines blinking on and off, there’s a flickering vitality that continues to breathe within these world-building machines. Between the beeps and stretches of sound, and the field recordings of gentle natural settings, there’s a childlike sense of wonder—a quiet curiosity and sweet innocence that permeates the mind.

about the record

andrew cs is a multimedia artist and creative programmer from the American Midwest. Exploring recursive time loops through their own digital memories, Andrew's sound blends captured spaces with bending synthesized loops improvised on custom software.

Following a half-chance encounter with a field recorder as a teen, Andrew began cataloging moments of temporary calm, archiving disk drives filled with present textures in conversation with a future self.

Their debut album, “caught in pointers,” strings together a non-linear coming-of-age story from six years of altered field recordings. By collaging data found between the rural landscapes of their youth and the oscillations of Chicago as an adult, Andrew imagines their own past as a four-dimensional space to navigate freely with digital media.

  1. 1 - breeze3 0:32
  2. 2 - jan_2014 3:53
  3. 3 - letters from ama 1:35
  4. 4 - left 0:08
  5. 5 - finger toes 1:43
  6. 6 - dead leaves / morgan brown 4:28
  7. 7 - * 0:57
  8. 8 - wakeup 0:13
  9. 9 - amy's apartment 0:47
  10. 10 - time is bendy 1:12
  11. 11 - white plastic bag drifting up into the air 5:15
  12. 12 - [ ] 0:26
  13. 13 - fallen log bridge island 0:48
  14. 14 - talking to moths 0:59
  15. 15 - backyard feeling 2:06
  16. 16 - needing 2 slow down 2:12
  17. 17 - orange traffic safety barrier 2:57
  18. 18 - t 0:16
  19. 19 - windfence 1:44
  20. 20 - we grow! 4:13
  21. 21 - sister dan 1:07
  22. 22 - find the best moments 0:12
  23. 23 - night tone 0:28
  24. 24 - what's after this 3:38
  25. 25 - the nxt boogie 3:16
  26. 26 - walking home backwards 6:25
  27. 27 - everything im afraid to lose 0:26

Embed

Copy and paste this code to your site to embed.

caught in pointers

28,00

in stock

  1. 1 - breeze3 0:32
  2. 2 - jan_2014 3:53
  3. 3 - letters from ama 1:35
  4. 4 - left 0:08
  5. 5 - finger toes 1:43
  6. 6 - dead leaves / morgan brown 4:28
  7. 7 - * 0:57
  8. 8 - wakeup 0:13
  9. 9 - amy's apartment 0:47
  10. 10 - time is bendy 1:12
  11. 11 - white plastic bag drifting up into the air 5:15
  12. 12 - [ ] 0:26
  13. 13 - fallen log bridge island 0:48
  14. 14 - talking to moths 0:59
  15. 15 - backyard feeling 2:06
  16. 16 - needing 2 slow down 2:12
  17. 17 - orange traffic safety barrier 2:57
  18. 18 - t 0:16
  19. 19 - windfence 1:44
  20. 20 - we grow! 4:13
  21. 21 - sister dan 1:07
  22. 22 - find the best moments 0:12
  23. 23 - night tone 0:28
  24. 24 - what's after this 3:38
  25. 25 - the nxt boogie 3:16
  26. 26 - walking home backwards 6:25
  27. 27 - everything im afraid to lose 0:26

Embed

Copy and paste this code to your site to embed.

why we love this

Like walking through an empty arcade with machines blinking on and off, there’s a flickering vitality that continues to breathe within these world-building machines. Between the beeps and stretches of sound, and the field recordings of gentle natural settings, there’s a childlike sense of wonder—a quiet curiosity and sweet innocence that permeates the mind.

about the record

andrew cs is a multimedia artist and creative programmer from the American Midwest. Exploring recursive time loops through their own digital memories, Andrew's sound blends captured spaces with bending synthesized loops improvised on custom software.

Following a half-chance encounter with a field recorder as a teen, Andrew began cataloging moments of temporary calm, archiving disk drives filled with present textures in conversation with a future self.

Their debut album, “caught in pointers,” strings together a non-linear coming-of-age story from six years of altered field recordings. By collaging data found between the rural landscapes of their youth and the oscillations of Chicago as an adult, Andrew imagines their own past as a four-dimensional space to navigate freely with digital media.

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