€13,00
only 2 left
about the cassette
"In two times of crisis—before coming out as a woman, and in the late days of a dark American presidency—I turned to improvisation as a funnel for the unknown. I looked for what I couldn’t imagine when the possibility of imagining differently seemed slim. This double EP came from this longing. Moments blur: I held young women weeping in the streets one election night, crying out, what will I tell my daughters; and I was held in turn when the self I had known fractured, showing an unfamiliar light beneath my skin. In these songs I kept the rawness of invention because that rawness felt human: the craquelure of becoming anyone, perhaps.
Electronics were my post-human companions and counterparts in this search. They offered another body, another rhythm to sing with. In Her Water Dream, a small modular synthesizer emulating mid-century electronic music studios gave me tactile roads. In Image of a Blue Thumbs-Up, my laptop was a mirror, always recording, layering. In both records, my poetry and spontaneous texts shaped form and scale.
I hope this debut record under my chosen name moves something in you too; like transition, perhaps, it's the beginning of a path, not an end."
— Ariadne Randall
- [h2.1] her water dream 9:52
- [h2.2] grandother hallowhall 7:14
- [h2.3] on that last shore 13:07
- [h1.1] blunted (dover beach) 6:48
- [h1.2] blue (da ba dee) 7:33
- [h1.3] dark way bird path open hand 6:36
- [h1.4] as horizon 7:45
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€13,00
only 2 left
- [h2.1] her water dream 9:52
- [h2.2] grandother hallowhall 7:14
- [h2.3] on that last shore 13:07
- [h1.1] blunted (dover beach) 6:48
- [h1.2] blue (da ba dee) 7:33
- [h1.3] dark way bird path open hand 6:36
- [h1.4] as horizon 7:45
Embed
Copy and paste this code to your site to embed.
about the cassette
"In two times of crisis—before coming out as a woman, and in the late days of a dark American presidency—I turned to improvisation as a funnel for the unknown. I looked for what I couldn’t imagine when the possibility of imagining differently seemed slim. This double EP came from this longing. Moments blur: I held young women weeping in the streets one election night, crying out, what will I tell my daughters; and I was held in turn when the self I had known fractured, showing an unfamiliar light beneath my skin. In these songs I kept the rawness of invention because that rawness felt human: the craquelure of becoming anyone, perhaps.
Electronics were my post-human companions and counterparts in this search. They offered another body, another rhythm to sing with. In Her Water Dream, a small modular synthesizer emulating mid-century electronic music studios gave me tactile roads. In Image of a Blue Thumbs-Up, my laptop was a mirror, always recording, layering. In both records, my poetry and spontaneous texts shaped form and scale.
I hope this debut record under my chosen name moves something in you too; like transition, perhaps, it's the beginning of a path, not an end."
— Ariadne Randall