Brother I Prove You Wrong

24,00

in stock

why we love this

Play a guessing game based on transmissions from a corroded circuit board. Charles conjures a timbrally-diverse array of sounds, evoking anything from intercepted extraterrestrial communications to synthesized bird calls. A delightful cipher to decode.

about the record

In keeping with the timbre spectrum of his semi-modular system, Brother I Prove You Wrong is built around pointillist analog tones—Cohen’s cosmic “beeps and boops”—that swarm and scatter in mesmeric patterns across four sides. Moving through surrealistic textural overlays and industrial miasma, the album’s nine tracks reveal a more introspective and personal side of the artist.

  1. 1 - Cloud Hands 3:29
  2. 2 - Sacred Mountain 5:02
  3. 3 - Visitors Of The Sacred Mountain 8:27
  4. 4 - The Boy And The Snake Dance 12:56
  5. 5 - Mankind And Mannequins 9:35
  6. 6 - Formation Of Matter 8:15
  7. 7 - Beirut 6:58
  8. 8 - Cold War II 8:52
  9. 9 - Go Deeper And Listen 4:33

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Brother I Prove You Wrong

24,00

in stock

  1. 1 - Cloud Hands 3:29
  2. 2 - Sacred Mountain 5:02
  3. 3 - Visitors Of The Sacred Mountain 8:27
  4. 4 - The Boy And The Snake Dance 12:56
  5. 5 - Mankind And Mannequins 9:35
  6. 6 - Formation Of Matter 8:15
  7. 7 - Beirut 6:58
  8. 8 - Cold War II 8:52
  9. 9 - Go Deeper And Listen 4:33

Embed

Copy and paste this code to your site to embed.

why we love this

Play a guessing game based on transmissions from a corroded circuit board. Charles conjures a timbrally-diverse array of sounds, evoking anything from intercepted extraterrestrial communications to synthesized bird calls. A delightful cipher to decode.

about the record

In keeping with the timbre spectrum of his semi-modular system, Brother I Prove You Wrong is built around pointillist analog tones—Cohen’s cosmic “beeps and boops”—that swarm and scatter in mesmeric patterns across four sides. Moving through surrealistic textural overlays and industrial miasma, the album’s nine tracks reveal a more introspective and personal side of the artist.

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