€18,00
in stock
about the record
Bristol-based illustrator and musician Adam Higton welcomes you back into the mossy realm of the Cosmic Neighbourhood. With each song acting as a response to a series of paper-and-scissors compositions, 'Collages II' documents the daily goings-on of an imagined world.
Sonically, this record straddles new and old, taking modular electronics, flutes, bells and softly pattering drum machines, before colouring them all with the amber glow of some forgotten, psychedelic kids' TV programme. Higton's benign toots and echoing jingles bring to mind Daphne Oram's early delay experiments or the meandering playfulness of Tom Cameron. Radiophonic and time-worn, it still somehow sounds like the future.
- A1 - Mystical Lady 3:04
- A2 - Snowflake 3:02
- A3 - Carousel 2:07
- A4 - Yawn 1:45
- A5 - Elf House 3:08
- A6 - Cloak 2:27
- A7 - Witch 1:29
- A8 - Somewhere In The Woods 2:34
- B1 - Being Small 1:38
- B2 - Neighbour 2:03
- B3 - Dragonfly 3:01
- B4 - Garden 2:22
- B5 - Aura 2:11
- B6 - Pixies 2:23
- B7 - Trees 3:12
- B8 - Bunk Beds 3:13
Embed
Copy and paste this code to your site to embed.
€18,00
in stock
- A1 - Mystical Lady 3:04
- A2 - Snowflake 3:02
- A3 - Carousel 2:07
- A4 - Yawn 1:45
- A5 - Elf House 3:08
- A6 - Cloak 2:27
- A7 - Witch 1:29
- A8 - Somewhere In The Woods 2:34
- B1 - Being Small 1:38
- B2 - Neighbour 2:03
- B3 - Dragonfly 3:01
- B4 - Garden 2:22
- B5 - Aura 2:11
- B6 - Pixies 2:23
- B7 - Trees 3:12
- B8 - Bunk Beds 3:13
Embed
Copy and paste this code to your site to embed.
about the record
Bristol-based illustrator and musician Adam Higton welcomes you back into the mossy realm of the Cosmic Neighbourhood. With each song acting as a response to a series of paper-and-scissors compositions, 'Collages II' documents the daily goings-on of an imagined world.
Sonically, this record straddles new and old, taking modular electronics, flutes, bells and softly pattering drum machines, before colouring them all with the amber glow of some forgotten, psychedelic kids' TV programme. Higton's benign toots and echoing jingles bring to mind Daphne Oram's early delay experiments or the meandering playfulness of Tom Cameron. Radiophonic and time-worn, it still somehow sounds like the future.