about the record
Adam Higton presents his first collection of library music.
Encompassing comic strips, collage and sound art, York-based illustrator and musician Adam Higton's work documents the daily goings-on of the forest folk within the realm of the Cosmic Neighbourhood. In classic Higton style, this new 10" sees songs acting in response to a series of paper-and-scissors compositions.
Sonically, these recordings straddle new and old, taking modular electronics, flutes, bells and softly pattering drum machines, before colouring them all with the amber glow of some forgotten, psychedelic kids' TV programme. Higton's benign toots and echoing jingles bring to mind Daphne Oram's early delay experiments or the meandering playfulness of Tom Cameron. Radiophonic and time-worn, it still somehow sounds like the future.
- A1 - Pine Wizard 1:59
- A2 - Overgrown Garden 1:19
- A3 - Thought Bubble 1:25
- A4 - Fortune Teller 1:04
- A5 - Caterpillar 1:17
- A6 - Cloud 1:28
- A7 - Gnomes 1:27
- A8 - Leaf 1:21
- B1 - Fall 1:05
- B2 - Nature Spirit 1:11
- B3 - Squirrel 1:19
- B4 - Waving Tree 1:11
- B5 - Duet 1:07
- B6 - Ladybugs 1:13
- B7 - Witches Hat 1:22
- B8 - Night People 1:52
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€13,00
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- A1 - Pine Wizard 1:59
- A2 - Overgrown Garden 1:19
- A3 - Thought Bubble 1:25
- A4 - Fortune Teller 1:04
- A5 - Caterpillar 1:17
- A6 - Cloud 1:28
- A7 - Gnomes 1:27
- A8 - Leaf 1:21
- B1 - Fall 1:05
- B2 - Nature Spirit 1:11
- B3 - Squirrel 1:19
- B4 - Waving Tree 1:11
- B5 - Duet 1:07
- B6 - Ladybugs 1:13
- B7 - Witches Hat 1:22
- B8 - Night People 1:52
Embed
Copy and paste this code to your site to embed.
about the record
Adam Higton presents his first collection of library music.
Encompassing comic strips, collage and sound art, York-based illustrator and musician Adam Higton's work documents the daily goings-on of the forest folk within the realm of the Cosmic Neighbourhood. In classic Higton style, this new 10" sees songs acting in response to a series of paper-and-scissors compositions.
Sonically, these recordings straddle new and old, taking modular electronics, flutes, bells and softly pattering drum machines, before colouring them all with the amber glow of some forgotten, psychedelic kids' TV programme. Higton's benign toots and echoing jingles bring to mind Daphne Oram's early delay experiments or the meandering playfulness of Tom Cameron. Radiophonic and time-worn, it still somehow sounds like the future.