why we love this
With each stroke guided by deliberate hand movements, the sounds on Mux ingeniously replicate the dynamics of a drum machine, pushing the boundaries of possibility. Sartorius approaches the drums as a vibrant, resonant body, occasionally transforming their sound to mimic a synthesizer or an intricately unconventional orchestra.
about the record
Since his Beat Diary debut, Julian Sartorius has immersed himself in unique and ambitious projects - trekking the path not travelled to arrive at rhythmic life forms through found objects and prepared instruments. Equally as mighty are his two other escapades, the most recent being Locked Grooves - 112 beats cut as endless loops on vinyl spanning 56 dense 1.8 second compositions per side. Preceding that is his auditory hike into the mountains (Hidden Tracks: Basel - Genève), wading through and playing the landscapes around him like a lithophone.
While Julian’s previous releases focus on innovative and conceptual approaches to realizing an album, Mux is a culmination of all his efforts thus far to mimic a synthesizer and drum machine. This impossible feat challenges Julian to experiment and develop a musical language that bridges the gap between organic timbres and electronic music. When listening to Mux, one might simply forget that the seemingly electronic sounds are only constructed organically via hand movements. The common thread in all his works is that the drums are treated as resonant bodies - free to flow and form rhythm and harmony in spacetime.
- 1 - Rollgadi 2:55
- 2 - Ruuri 2:22
- 3 - Grangg 0:49
- 4 - Zwuri 2:22
- 5 - Fatzikus 2:48
- 6 - Parliwu 3:14
- 7 - Baaje 3:17
- 8 - Drack 1:45
- 9 - Tygg 1:47
- 10 - Luur 3:12
- 11 - Troumi 0:45
- 12 - Treissi 3:37
€28,00
in stock
- 1 - Rollgadi 2:55
- 2 - Ruuri 2:22
- 3 - Grangg 0:49
- 4 - Zwuri 2:22
- 5 - Fatzikus 2:48
- 6 - Parliwu 3:14
- 7 - Baaje 3:17
- 8 - Drack 1:45
- 9 - Tygg 1:47
- 10 - Luur 3:12
- 11 - Troumi 0:45
- 12 - Treissi 3:37
why we love this
With each stroke guided by deliberate hand movements, the sounds on Mux ingeniously replicate the dynamics of a drum machine, pushing the boundaries of possibility. Sartorius approaches the drums as a vibrant, resonant body, occasionally transforming their sound to mimic a synthesizer or an intricately unconventional orchestra.
about the record
Since his Beat Diary debut, Julian Sartorius has immersed himself in unique and ambitious projects - trekking the path not travelled to arrive at rhythmic life forms through found objects and prepared instruments. Equally as mighty are his two other escapades, the most recent being Locked Grooves - 112 beats cut as endless loops on vinyl spanning 56 dense 1.8 second compositions per side. Preceding that is his auditory hike into the mountains (Hidden Tracks: Basel - Genève), wading through and playing the landscapes around him like a lithophone.
While Julian’s previous releases focus on innovative and conceptual approaches to realizing an album, Mux is a culmination of all his efforts thus far to mimic a synthesizer and drum machine. This impossible feat challenges Julian to experiment and develop a musical language that bridges the gap between organic timbres and electronic music. When listening to Mux, one might simply forget that the seemingly electronic sounds are only constructed organically via hand movements. The common thread in all his works is that the drums are treated as resonant bodies - free to flow and form rhythm and harmony in spacetime.
