€21,00
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about the record
Rutger Zuydervelt aka Machinefabriek needs no introduction - a hugely prolific electronic experimenter who has recorded for labels such as Type, Digitalis, Dekorder, Western Vinyl, and many more. Produced in collaboration with Anne Bakker, a classically trained solo artist in her own right, and currently performing strings as part of Agnes Obel’s band, Machinefabriek has sown a landscape of Anna’s raw violin, viola, and vocal improvisations into a stirring body of work, which merges tradition, experimentation, and whimsical curiosity to create a distinctively unique album which is both deeply moving and playfully dissonant in equal measure.
Given that Anne’s improvised vocals are wordless throughout, it is to Rutger’s absolute credit that he has assembled and transcended these intonations to often devastating emotional effect. Anna’s vocal experiments exude classical polyphonic antiquity. They lushly hover above her own Reichian minimalist string arrangements, and Machinefabriek’s deeply brooding, cacophonic synthesized soundscapes. Across these 10 pieces we delve into a world which seamlessly moves between a state of harmonious contentment; or a very murky calm, to moments of lively ecstasy, and deep deep down to a vast and brooding melancholy.
- 1 - Introductie 2:08
- 2 - Sirene 3:23
- 3 - Oehoe I 1:27
- 4 - Harrewar 3:03
- 5 - Stuiver 3:24
- 6 - Oehoe II 1:56
- 7 - Schim 3:48
- 8 - Stemmig 0:35
- 9 - Voorwaarts 4:44
- 10 - Oehoe III 1:45
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€21,00
only 3 left
- 1 - Introductie 2:08
- 2 - Sirene 3:23
- 3 - Oehoe I 1:27
- 4 - Harrewar 3:03
- 5 - Stuiver 3:24
- 6 - Oehoe II 1:56
- 7 - Schim 3:48
- 8 - Stemmig 0:35
- 9 - Voorwaarts 4:44
- 10 - Oehoe III 1:45
Embed
Copy and paste this code to your site to embed.
about the record
Rutger Zuydervelt aka Machinefabriek needs no introduction - a hugely prolific electronic experimenter who has recorded for labels such as Type, Digitalis, Dekorder, Western Vinyl, and many more. Produced in collaboration with Anne Bakker, a classically trained solo artist in her own right, and currently performing strings as part of Agnes Obel’s band, Machinefabriek has sown a landscape of Anna’s raw violin, viola, and vocal improvisations into a stirring body of work, which merges tradition, experimentation, and whimsical curiosity to create a distinctively unique album which is both deeply moving and playfully dissonant in equal measure.
Given that Anne’s improvised vocals are wordless throughout, it is to Rutger’s absolute credit that he has assembled and transcended these intonations to often devastating emotional effect. Anna’s vocal experiments exude classical polyphonic antiquity. They lushly hover above her own Reichian minimalist string arrangements, and Machinefabriek’s deeply brooding, cacophonic synthesized soundscapes. Across these 10 pieces we delve into a world which seamlessly moves between a state of harmonious contentment; or a very murky calm, to moments of lively ecstasy, and deep deep down to a vast and brooding melancholy.