why we love this

Suave in its groove and intimate in its approach, this record is filled with a dim warmth. Over its titular track, an earnest monologue on dignity evolves into a grand redemptive arc. Makaya McCraven embraces expression as part and parcel of being human.

about the record

This is the album McCraven’s been trying to make since he started making records. And his patience, ambition, and persistence have yielded an appropriately career-defining body of work.

As epic and expansive as it is impressively potent and concise, the 11 song suite was created over 7+ years, as McCraven strived to design a highly personal but broadly communicable fusion of odd-meter original compositions from his working songbook with orchestral, large ensemble arrangements and the edit-heavy “organic beat music” that he’s honed over a growing body of production-craft.

With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators – including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill – the music was recorded in 5 different studios and 4 live performance spaces while McCraven engaged in extensive post-production work from home. The pure fact that he was able to so eloquently condense and articulate the immense human scale of the work into 41 fleeting minutes of emotive and engaging sound is a monumental achievement. It’s an evolution and a milestone for McCraven, the producer; but moreover it’s the strongest and clearest statement we’ve yet to hear from McCraven, the composer.

  1. 1 - In These Times 7:09
  2. 2 - The Fours 3:27
  3. 3 - High Fives 3:40
  4. 4 - Dream Another 3:13
  5. 5 - Lullaby 3:34
  6. 6 - This Place That Place 3:57
  7. 7 - The Calling 1:47
  8. 8 - Seventh String 3:05
  9. 9 - So Ubuji 3:01
  10. 10 - The Knew Untitled 4:28
  11. 11 - The Title 3:57

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In These Times

34,00

in stock

  1. 1 - In These Times 7:09
  2. 2 - The Fours 3:27
  3. 3 - High Fives 3:40
  4. 4 - Dream Another 3:13
  5. 5 - Lullaby 3:34
  6. 6 - This Place That Place 3:57
  7. 7 - The Calling 1:47
  8. 8 - Seventh String 3:05
  9. 9 - So Ubuji 3:01
  10. 10 - The Knew Untitled 4:28
  11. 11 - The Title 3:57

Embed

Copy and paste this code to your site to embed.

why we love this

Suave in its groove and intimate in its approach, this record is filled with a dim warmth. Over its titular track, an earnest monologue on dignity evolves into a grand redemptive arc. Makaya McCraven embraces expression as part and parcel of being human.

about the record

This is the album McCraven’s been trying to make since he started making records. And his patience, ambition, and persistence have yielded an appropriately career-defining body of work.

As epic and expansive as it is impressively potent and concise, the 11 song suite was created over 7+ years, as McCraven strived to design a highly personal but broadly communicable fusion of odd-meter original compositions from his working songbook with orchestral, large ensemble arrangements and the edit-heavy “organic beat music” that he’s honed over a growing body of production-craft.

With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators – including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill – the music was recorded in 5 different studios and 4 live performance spaces while McCraven engaged in extensive post-production work from home. The pure fact that he was able to so eloquently condense and articulate the immense human scale of the work into 41 fleeting minutes of emotive and engaging sound is a monumental achievement. It’s an evolution and a milestone for McCraven, the producer; but moreover it’s the strongest and clearest statement we’ve yet to hear from McCraven, the composer.

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