about the record
"Kaivajaiset" is Niko-Matti Ahti's first solo recording, initially conceived as an installation.
Exhibited in B-Galleria in Turku (2019) and 3H+K in Pori (2020), "Kaivajaiset" drew inspiration from The Diggers' 1649 pamphlet and Michel Foucault's extension of Friedrich Nietzsche’s concept of genealogy. The installation featured sounds, opinion pieces, a print copy of the pamphlet, and four cardboard collages.
This record serves as a summary of the installation's sounds, combining vivid foley and domestic recordings with oration and classical instrumentation to create an expansive, narrative, and thrilling composition.
- 1 - Kaivajaiset Part 1.1 2:56
- 2 - Kaivajaiset Part 1.2 6:46
- 3 - Kaivajaiset Part 1.3 6:51
- 4 - Kaivajaiset Part 1.4 2:34
- 5 - Kaivajaiset Part 2.1 6:15
- 6 - Kaivajaiset Part 2.2 5:45
- 7 - Kaivajaiset Part 2.3 1:45
- 8 - Kaivajaiset Part 2.4 3:12
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only 3 left
- 1 - Kaivajaiset Part 1.1 2:56
- 2 - Kaivajaiset Part 1.2 6:46
- 3 - Kaivajaiset Part 1.3 6:51
- 4 - Kaivajaiset Part 1.4 2:34
- 5 - Kaivajaiset Part 2.1 6:15
- 6 - Kaivajaiset Part 2.2 5:45
- 7 - Kaivajaiset Part 2.3 1:45
- 8 - Kaivajaiset Part 2.4 3:12
about the record
"Kaivajaiset" is Niko-Matti Ahti's first solo recording, initially conceived as an installation.
Exhibited in B-Galleria in Turku (2019) and 3H+K in Pori (2020), "Kaivajaiset" drew inspiration from The Diggers' 1649 pamphlet and Michel Foucault's extension of Friedrich Nietzsche’s concept of genealogy. The installation featured sounds, opinion pieces, a print copy of the pamphlet, and four cardboard collages.
This record serves as a summary of the installation's sounds, combining vivid foley and domestic recordings with oration and classical instrumentation to create an expansive, narrative, and thrilling composition.
