why we love this
Deeply piercing yet gently touching—a collection of restless lullabies for uncertain times.
about the record
Mutual admirers of each other’s work, Gayle and Roxane team up for a split release. The fact that these like-minded artists explore the boundaries of what connects them, makes it a very exciting release. The Pefkin side is Gayle at her most melodic, whereas Roxane goes down a poetic and rhythmical path.
Pefkin is the alter ego of Gayle Brogan, Ayrshire-based creator of slowly-unfolding, ritualistic hymnals that draw heavily on the landscape and natural world. Gayle has been a key figure in the experimental music scene since the mid nineties.
Born in France and currently residing in Brussels, Roxane Métayer is truly a multidisciplinary artist. Learning the violin at a young age, she also developed herself as a visual artist, creating drawings, sculptures in uncommon materials as soap, and in recent years video.
- Pefkin - The Lunar Pull 6:36
- Roxane Métayer - Soma elaphros 4:47
€22,00
in stock
- Pefkin - The Lunar Pull 6:36
- Roxane Métayer - Soma elaphros 4:47
why we love this
Deeply piercing yet gently touching—a collection of restless lullabies for uncertain times.
about the record
Mutual admirers of each other’s work, Gayle and Roxane team up for a split release. The fact that these like-minded artists explore the boundaries of what connects them, makes it a very exciting release. The Pefkin side is Gayle at her most melodic, whereas Roxane goes down a poetic and rhythmical path.
Pefkin is the alter ego of Gayle Brogan, Ayrshire-based creator of slowly-unfolding, ritualistic hymnals that draw heavily on the landscape and natural world. Gayle has been a key figure in the experimental music scene since the mid nineties.
Born in France and currently residing in Brussels, Roxane Métayer is truly a multidisciplinary artist. Learning the violin at a young age, she also developed herself as a visual artist, creating drawings, sculptures in uncommon materials as soap, and in recent years video.
