why we love this
The textures and shapes of minutiae are given center stage—their movements, velocities, depths, and fabrications. An exceptional observation into the particles of sound, and their seismic potential when pieced together.
about the record
For Omen Wapta’s second release, Japanese producer Yuki Matsumura turns in four tracks of glitchy, experimental techno on An. Born and raised in Kochi, Yuki began exploring PC and software production in 2007. His labyrinthine sound design is created through heavy processing and audio editing, resulting in an abstract and textural take on techno with a distinctive rhythmic edge.
Yuki released his debut album Without a Break via Moph Records in 2015, followed by 2016’s Edge for Artificial Domain, both of which demonstrated his balance of bass-heavy breaks and more introspective sounds. On An, Yuki continues to develop his avant-glitch approach, pursuing an even more sparse and insular sound across its four tracks.
- 1 - An 5:40
- 2 - Desk 8:43
- 3 - Front 6:40
- 4 - After That 5:35
€22,00
only 3 left
- 1 - An 5:40
- 2 - Desk 8:43
- 3 - Front 6:40
- 4 - After That 5:35
why we love this
The textures and shapes of minutiae are given center stage—their movements, velocities, depths, and fabrications. An exceptional observation into the particles of sound, and their seismic potential when pieced together.
about the record
For Omen Wapta’s second release, Japanese producer Yuki Matsumura turns in four tracks of glitchy, experimental techno on An. Born and raised in Kochi, Yuki began exploring PC and software production in 2007. His labyrinthine sound design is created through heavy processing and audio editing, resulting in an abstract and textural take on techno with a distinctive rhythmic edge.
Yuki released his debut album Without a Break via Moph Records in 2015, followed by 2016’s Edge for Artificial Domain, both of which demonstrated his balance of bass-heavy breaks and more introspective sounds. On An, Yuki continues to develop his avant-glitch approach, pursuing an even more sparse and insular sound across its four tracks.
