• Tactile Interactions

    tactile interactions

    Objects & Sounds - Releases - Tactile Interactions

    Tactile Interactions brings together textile artist Bec Kirby and sound artists Joda Foerster & Niklas Kramer for an exploration in tangibility and modularity across object and sound. The three artists were driven by a mutual intrigue as to how physicality transcends form, while form could be subtracted, manipulated, and synthesized into new manners all together.

    Bec crafted hand-tufted wall hangings in a variety of abstract shapes that can be hung in an endless array of unique configurations. She recorded sounds from her studio, haptic swirls of noise driven by the materials and tools used to create the tuftings. The sounds fascinated Joda and Niklas, who later used these sounds as a source of inspiration in capturing the atmosphere of Bec’s working environment, while incorporating the field recordings into their own tracks.

    Objects & Sounds - Releases - Tactile Interactions
    Objects & Sounds - Releases - Tactile Interactions

    meet bec

    Objects & Sounds - Releases - Tactile Interactions

    Bec Kirby is a Manchester-based textile artist working under the creative name of soosumsee. Her practices include tufting, sewing, drawing, and painting.

    Working predominantly in interior design for the last seven years, her understanding of how spaces, objects, and materials affect emotion led her to create a series of personal keepsakes for the home, which in turn became “The Series of Eight,” her first homeware collection.

    Bec’s body of work comprises a series of cushions, wall hangings, and tapestry blankets. Drawing influence from recurring hallucinations she suffered with as a child, along with notions of death, loss, and grief, each tufted piece is handcrafted in her studio, using responsibly sourced materials.

    discover the objects

    Objects & Sounds - Releases - Tactile Interactions

    listen to the sounds

    Joda and Niklas further probed into the idea of a constantly changing listening experience, as if the tracks were sonic modules that could be enjoyed in a variety of ways and by means of different functionalities. The resulting modules are three extended tracks that can be played separately or simultaneously, across different starting points and with differing dynamics.

    Objects & Sounds - Releases - Tactile Interactions
    1. Tone 19:47
    2. Texture 19:47
    3. Tone & Texture 19:47

    meet Joda and Niklas

    Berlin-based Joda Foerster and Niklas Kramer have been endearingly described by loved ones as “ambient pals,” a testament to their friendship and shared musical sensibility. This connection is felt in both their production and their live sets, two diverging contexts that equally highlight the experimentation and compositional balance the duo explores and constructs together.

    Objects & Sounds - Releases - Tactile Interactions
    Objects & Sounds - Releases - Tactile Interactions
    Objects & Sounds - Releases - Tactile Interactions

    make your own composition

    Inspired by the artists’ interpretations of material interplay, we invite you to move, spin and drag the shapes around the screen to create your own musical composition and be a part of the collaboration yourself.

    After moving around the shapes in a way you see fit, hit play to listen to your configuration. To change what you hear, simply move the shapes around and hit play again.

  • Clay Bodies

    clay bodies

    Objects & Sounds - Releases - Clay Bodies

    Clay Bodies is a multidimensional project stretching artistic language, form and workflow across digital and continental spheres.

    Baal & Mortimer, Cate Kennan, Cucina Povera, and Morita Vargas engaged in an intimate, collaborative process with Camila Apaez of Ila Ceramica. This resulted in four ceramic sculptures being conceptually soundtracked by five musical contributions recorded onto cassette.

    As vases howling, the meditative compositions drift between the ghostly and gentle, with a certain porousness and oddly-striking harmony among them. Each has been shaped and defined by dialogue with Camila, and this counts vice versa for the vessels. As their nonlinear dialogues ignited, the artists shared field recordings, sketches and poetry.

    Objects & Sounds - Releases - Clay Bodies
    Objects & Sounds - Releases - Clay Bodies

    discover the sounds

    The sonic sculptures are informed by a variety of fields, from dance and instrumentalism to bodily movement and the wayward structures our natural world brings forth. Sounds of the ceramics studio were integrated as a core ingredient to each composition, which serves as a common thread throughout Clay Bodies.

    Objects-Sounds-Clay-Bodies-Baal-Mortimer-Cate-Kennan-Cucina-Povera-Morita-Vargas-1.jpg
    1. Baal & Mortimer – Spine 2:20
    2. Cucina Povera – Valetaan 4:45
    3. Cate Kennan – Reflections I 3:04
    4. Morita Vargas – Crater 7:29
    5. Cate Kennan – Reflections II 3:18

    discover the objects

    Objects & Sounds - Releases - Clay Bodies
    Objects & Sounds - Releases - Clay Bodies
    Objects & Sounds - Releases - Clay Bodies

    meet the artists

    • Camila Apaez

      Nature, amorphous atmospheres, bodily experience, and natural landscapes are all sources of inspiration.

      Camila Apaez

      Nature, amorphous atmospheres, bodily experience, and natural landscapes are all sources of inspiration.

    • Morita Vargas

      As Ila’s sculpture was taking shape, it evoked for me sounds of wind, cavities, wind instruments, and air circulating through those cavities―sounds entering and leaving.

      Morita Vargas

      As Ila’s sculpture was taking shape, it evoked for me sounds of wind, cavities, wind instruments, and air circulating through those cavities―sounds entering and leaving.

    • Baal & Mortimer

      I wanted the track to have cathedral-type qualities, to emphasize the hall of the sculpture, the echo of the curve.

      Baal & Mortimer

      I wanted the track to have cathedral-type qualities, to emphasize the hall of the sculpture, the echo of the curve.

    • Cucina Povera

      It reminds me of the fragility of ceramics as a medium, despite its sturdy appearance or texture.

      Cucina Povera

      It reminds me of the fragility of ceramics as a medium, despite its sturdy appearance or texture.

    • Cate Kennan

      They sounded like water underneath the whirring of machinery, movement through sand, a landscape of grass, and irregular rhythms of another world.

      Cate Kennan

      They sounded like water underneath the whirring of machinery, movement through sand, a landscape of grass, and irregular rhythms of another world.

    • Mayken Craenen

      I used organic fragments from old books: fungi, flowers, and minerals, combined with the lively, intuitive scribbles of my youngest daughter which also seemed to illustrate the musical movements.

      Mayken Craenen

      I used organic fragments from old books: fungi, flowers, and minerals, combined with the lively, intuitive scribbles of my youngest daughter which also seemed to illustrate the musical movements.