
Fuelled by caffeine, nervous energy and early Orbital and Photek, ‘Upstepping’ is an album of neoclassical electronic experimentalism where Coates pushes the boundaries of what a cello is capable of. As Coates explains, “About 95% of the sounds are derived from recording the cello and processing it digitally. A hi-hat equivalent is often a distorted, compressed and heavily EQ’d horsehair-on-steel stroke. All the melodic pitched sounds, even the ones that feel like keys, are samples of the tail of a cello harmonic.”
The result is an astonishing record rich in the sonic and rhythmic palette of dance and electronic music - with hints of early rave, garage and the sounds of 1980s London pirate radios – and one which re-defines the possibilities of classical instrumentation.
€22,00
out of stock

Fuelled by caffeine, nervous energy and early Orbital and Photek, ‘Upstepping’ is an album of neoclassical electronic experimentalism where Coates pushes the boundaries of what a cello is capable of. As Coates explains, “About 95% of the sounds are derived from recording the cello and processing it digitally. A hi-hat equivalent is often a distorted, compressed and heavily EQ’d horsehair-on-steel stroke. All the melodic pitched sounds, even the ones that feel like keys, are samples of the tail of a cello harmonic.”
The result is an astonishing record rich in the sonic and rhythmic palette of dance and electronic music - with hints of early rave, garage and the sounds of 1980s London pirate radios – and one which re-defines the possibilities of classical instrumentation.
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