about the record

Double Negative follows the path that Robert Schwarz has pursued with The Scale of Things. Field recordings render the core and compositional starting points around which modular synthesizers are built to complex structures that resemble nature’s contingency as their inner logic. Nature and electronics merge to compositions that reveal uncanniness and strangeness in the heart of the world as well as in ourselves. However, where The Scale of Things provoked existential threats and feelings of being exposed to an inhuman, though not hostile world, Double Negative tames the darkness and perilousness of its predecessor.