Delirious Cartographies

32,00

only 2 left

about the record

Delirious Cartographies, by composer, improviser, and synthesist Richard Scott, is released as a limited edition portfolio folder with vinyl, six printed drawings, and a text.

“These compositions capture aspects of my personal sonic experience of specific times and places. Extending beyond my usual work with analogue synthesizer, these pieces open the doors and windows to the outside world, incorporating field and live recordings made in various locations and situations. Rather than intending any clear sense of narrative, these are molecular dialogues between elements and geographies that do not necessarily share organic points of connection, other than my own incomplete experience and memory of them.”

The final piece, 6 Graphic Etudes, is a set of visual and sonic sketches. Each etude describes a discrete kind of movement or texture and may serve various purposes: as musical exercises, as scores, combined as parts of scores, or as stand-alone visual propositions or artworks.

  1. 1 - Fragments of an everyday cosmos 14:36
  2. 2 - Grace and delirium in Boliqueime 3:35
  3. 3 - Thunder, actually bicycles... 12:58
  4. 4 - Further fragments of an everyday cosmos 16:59

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Delirious Cartographies

32,00

only 2 left

  1. 1 - Fragments of an everyday cosmos 14:36
  2. 2 - Grace and delirium in Boliqueime 3:35
  3. 3 - Thunder, actually bicycles... 12:58
  4. 4 - Further fragments of an everyday cosmos 16:59

Embed

Copy and paste this code to your site to embed.

about the record

Delirious Cartographies, by composer, improviser, and synthesist Richard Scott, is released as a limited edition portfolio folder with vinyl, six printed drawings, and a text.

“These compositions capture aspects of my personal sonic experience of specific times and places. Extending beyond my usual work with analogue synthesizer, these pieces open the doors and windows to the outside world, incorporating field and live recordings made in various locations and situations. Rather than intending any clear sense of narrative, these are molecular dialogues between elements and geographies that do not necessarily share organic points of connection, other than my own incomplete experience and memory of them.”

The final piece, 6 Graphic Etudes, is a set of visual and sonic sketches. Each etude describes a discrete kind of movement or texture and may serve various purposes: as musical exercises, as scores, combined as parts of scores, or as stand-alone visual propositions or artworks.

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