why we love this
The qualities of each instrument explored are brought to life in vivid motion, offering expressions that swing from contemplation to suspense, weightlessness to density. Fahmi Mursyidโs adaptive and creative approach to harnessing the contours of each instrumentโs timbre shines through.
about the record
Indonesian artist Fahmi Mursyid has always had a personal interest in traditional Indonesian instruments, specifically from Sundanese culture, the second largest Indonesian ethnic group, native to the western part of the Island of Java.
Paying homage to this source of inspiration, he has chosen to use Indonesian instruments for almost all of the tracks on this album. Considering the strict guidelines One Instrument gives the artists, Mursyid has succeeded in getting the most out of his chosen instruments.
With each of the six different acoustic instruments he has eluded clicheฬ and surpassed physical limitations to shape a bold, alternative musical language. โจ
- 1 - A1 - Fahmi Mursyid - Hening (Saron) 3:13
- 2 - A2 - Fahmi Mursyid - Wirama (Kendang) 3:31
- 3 - A3 - Fahmi Mursyid - Denting (Rรถsler Piano 50โs) 3:37
- 4 - B1 - Fahmi Mursyid - Halaman (Karinding) 4:29
- 5 - B2 - Fahmi Mursyid - Dentum (Bonang) 5:37
- 6 - B3 - Fahmi Mursyid - Alunan (Pan Flute) 4:30
€24,00
only 2 left
- 1 - A1 - Fahmi Mursyid - Hening (Saron) 3:13
- 2 - A2 - Fahmi Mursyid - Wirama (Kendang) 3:31
- 3 - A3 - Fahmi Mursyid - Denting (Rรถsler Piano 50โs) 3:37
- 4 - B1 - Fahmi Mursyid - Halaman (Karinding) 4:29
- 5 - B2 - Fahmi Mursyid - Dentum (Bonang) 5:37
- 6 - B3 - Fahmi Mursyid - Alunan (Pan Flute) 4:30
why we love this
The qualities of each instrument explored are brought to life in vivid motion, offering expressions that swing from contemplation to suspense, weightlessness to density. Fahmi Mursyidโs adaptive and creative approach to harnessing the contours of each instrumentโs timbre shines through.
about the record
Indonesian artist Fahmi Mursyid has always had a personal interest in traditional Indonesian instruments, specifically from Sundanese culture, the second largest Indonesian ethnic group, native to the western part of the Island of Java.
Paying homage to this source of inspiration, he has chosen to use Indonesian instruments for almost all of the tracks on this album. Considering the strict guidelines One Instrument gives the artists, Mursyid has succeeded in getting the most out of his chosen instruments.
With each of the six different acoustic instruments he has eluded clicheฬ and surpassed physical limitations to shape a bold, alternative musical language. โจ
