why we love this
Using field recordings as his primary instrument and the outdoors as his sonic conduit, Ned explores the essence of presence and the act of fully immersing oneself in one's environment. It's as if he is personally inviting the listener to wholeheartedly embrace their surroundings and all that they hold.
about the record
"My work in the past five years has been grounded in recording and playing outdoors, trying to communicate the meaning of being in a particular location and finding meaning in interacting with whatever sounds or elements are equally present. I'm still excited by all of it!
This sense of purpose continues with Considerable and the most I could wish for is that the specificity of what I am doing and where I'm doing it manages to evoke something in anyone listening—a connection to their own environments and spaces. None of these pieces is strictly documentary or one-take in approach or composition, but I hope that the combination of processed and "factual" sounds achieve integrity."
— Ned Milligan
- 1 - Sky Smokes & Electronics 11:08
- 2 - On the Arrival of Five Hatchlings 3:27
- 3 - Mailbox Walk 3:36
- 4 - Firefly Symphony 3:15
- 5 - A Crack in the Sky (WOOOOSH) 8:00
- 6 - Landscape Duet 2:33
- 7 - Mosey With Me 2:19
- 8 - The Path You Took To Existing 9:35
€26,00
only 3 left
- 1 - Sky Smokes & Electronics 11:08
- 2 - On the Arrival of Five Hatchlings 3:27
- 3 - Mailbox Walk 3:36
- 4 - Firefly Symphony 3:15
- 5 - A Crack in the Sky (WOOOOSH) 8:00
- 6 - Landscape Duet 2:33
- 7 - Mosey With Me 2:19
- 8 - The Path You Took To Existing 9:35
why we love this
Using field recordings as his primary instrument and the outdoors as his sonic conduit, Ned explores the essence of presence and the act of fully immersing oneself in one's environment. It's as if he is personally inviting the listener to wholeheartedly embrace their surroundings and all that they hold.
about the record
"My work in the past five years has been grounded in recording and playing outdoors, trying to communicate the meaning of being in a particular location and finding meaning in interacting with whatever sounds or elements are equally present. I'm still excited by all of it!
This sense of purpose continues with Considerable and the most I could wish for is that the specificity of what I am doing and where I'm doing it manages to evoke something in anyone listening—a connection to their own environments and spaces. None of these pieces is strictly documentary or one-take in approach or composition, but I hope that the combination of processed and "factual" sounds achieve integrity."
— Ned Milligan
