
Other Joe is the pseudonym of producer, mastering engineer, and label-head Joe Buchan, an individual with a penchant for free-wheeling experimentation and genre-crossing musical tastes. Drawing upon a wide array of sounds that pay homage to his love of both the beautiful and the abrasive, Joe devours indiscriminately whatever sounds might cross his path, the result giving birth to the unique musical journey that is listening to an Other Joe record.
His latest work, blessing from th eheart (typo intentional), expands on Other Joe’s love for blending field recording and acoustic instruments with electronic processing. Beginning by reviewing the catalogue of creative notes he had archived since the release of his debut, Alien Haze, in March 2019, Joe picked apart voice memos, Logic projects, iPhone videos, and whatever else he could lay hands on.
Says Joe, “Looking over it all at once, the musical ideas I had been attracted to over the past eight or nine months started to make a bit more sense—I could see that there were instruments I was liking, or chord progressions that I kept coming back to, structures and forms that I had found engrossing. Sort of like putting together a jigsaw puzzle that I had made without realizing it.”
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Other Joe is the pseudonym of producer, mastering engineer, and label-head Joe Buchan, an individual with a penchant for free-wheeling experimentation and genre-crossing musical tastes. Drawing upon a wide array of sounds that pay homage to his love of both the beautiful and the abrasive, Joe devours indiscriminately whatever sounds might cross his path, the result giving birth to the unique musical journey that is listening to an Other Joe record.
His latest work, blessing from th eheart (typo intentional), expands on Other Joe’s love for blending field recording and acoustic instruments with electronic processing. Beginning by reviewing the catalogue of creative notes he had archived since the release of his debut, Alien Haze, in March 2019, Joe picked apart voice memos, Logic projects, iPhone videos, and whatever else he could lay hands on.
Says Joe, “Looking over it all at once, the musical ideas I had been attracted to over the past eight or nine months started to make a bit more sense—I could see that there were instruments I was liking, or chord progressions that I kept coming back to, structures and forms that I had found engrossing. Sort of like putting together a jigsaw puzzle that I had made without realizing it.”
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