€14,00
in stock
about the cassette
Personal Wastelands is an album rooted in contradiction. Although FOQL and Fischerle are both based in Poland, these two artists—who are working together for the first time—come from distinctly different backgrounds. FOQL usually operates in the margins between IDM and industrial, while Fischerle, a sonic nomad who heads up the Pawlacz Perski label, is someone whose detailed creations routinely bust through established notions of genre.
Forged over the course of a few sessions in FOQL’s Warsaw studio, the album began with improvisation, as the two artists—armed only with two identical drum machines—gradually discovered some remarkably potent common ground, a nebulous "wasteland" of bleak atmospheres, hypnotic dub, and corroded rhythms. There’s a bleakness to the music, yet the album's percolating percussion and robust bass lines—which nod toward the more experimental end of the UK hardcore continuum—are downright lively, even when they've been slathered in sludgy reverb.
Like many releases on Paralaxe Editions, Personal Wasteland defies easy categorization, but despite its many contradictions, it's a compelling document of what can happen when two exploratory talents join forces and simply let their creativity run free.
- 1 - Communication Swamp 4:37
- 2 - Haumea 4:52
- 3 - Shine 4:55
- 4 - Nanotube Dub 4:20
- 5 - Swimming Pool 2.0 4:39
- 6 - Limbo 5:59
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€14,00
in stock
- 1 - Communication Swamp 4:37
- 2 - Haumea 4:52
- 3 - Shine 4:55
- 4 - Nanotube Dub 4:20
- 5 - Swimming Pool 2.0 4:39
- 6 - Limbo 5:59
Embed
Copy and paste this code to your site to embed.
about the cassette
Personal Wastelands is an album rooted in contradiction. Although FOQL and Fischerle are both based in Poland, these two artists—who are working together for the first time—come from distinctly different backgrounds. FOQL usually operates in the margins between IDM and industrial, while Fischerle, a sonic nomad who heads up the Pawlacz Perski label, is someone whose detailed creations routinely bust through established notions of genre.
Forged over the course of a few sessions in FOQL’s Warsaw studio, the album began with improvisation, as the two artists—armed only with two identical drum machines—gradually discovered some remarkably potent common ground, a nebulous "wasteland" of bleak atmospheres, hypnotic dub, and corroded rhythms. There’s a bleakness to the music, yet the album's percolating percussion and robust bass lines—which nod toward the more experimental end of the UK hardcore continuum—are downright lively, even when they've been slathered in sludgy reverb.
Like many releases on Paralaxe Editions, Personal Wasteland defies easy categorization, but despite its many contradictions, it's a compelling document of what can happen when two exploratory talents join forces and simply let their creativity run free.