€18,00
in stock
why we love this
Velvety rhythms abound on this record in succulent layers. Rumbles, clatter, and clangs interlock in coordinated syncopation, creating tracks that thrill through complexity, not tempo.
about the cassette
Murmuration Without End is a collection of rhythmic studies by producer, composer, percussionist, and multi-instrumentalist Ben Lumsdaine.
Whereas the tracks began as meditative synth drones recorded by Lumsdaine when quarantined in the basement studio of his friend’s home, over time they became multi-textural, poly-rhythmic sound worlds as he disrupted the meters and pulses implied by the synths’ inherent modulations with each instrumental layer added. He also enlisted guest musicians to help him achieve this, including saxophonist Dustin Laurenzi, trumpeter John Raymond, and guitarist Drake Ritter.
Inspired by the vibrance of Cuban bata rhythms, Lumsdaine set himself to construct music that has a clear pulse but a fairly indiscernible downbeat, and ultimately makes an articulate artistic expression about finding peace within the unknown. The way he achieves this with an uncommon palette is particularly impressive on Murmuration Without End, especially considering that, as a working musician, Lumsdaine’s primary instrument is a traditional drumkit (hear his drumming on albums by Durand Jones, Chris Schlarb, Anna Butterss, and Bex Burch); but in the context of this album, he challenged himself to completely refrain from playing his drums.
- 1 - Dallas 7:47
- 2 - Myopic 4:34
- 3 - Renormalizer 5:37
- 4 - Tough One 7:21
- 5 - Here's Your Next Clue 5:54
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€18,00
in stock
- 1 - Dallas 7:47
- 2 - Myopic 4:34
- 3 - Renormalizer 5:37
- 4 - Tough One 7:21
- 5 - Here's Your Next Clue 5:54
Embed
Copy and paste this code to your site to embed.
why we love this
Velvety rhythms abound on this record in succulent layers. Rumbles, clatter, and clangs interlock in coordinated syncopation, creating tracks that thrill through complexity, not tempo.
about the cassette
Murmuration Without End is a collection of rhythmic studies by producer, composer, percussionist, and multi-instrumentalist Ben Lumsdaine.
Whereas the tracks began as meditative synth drones recorded by Lumsdaine when quarantined in the basement studio of his friend’s home, over time they became multi-textural, poly-rhythmic sound worlds as he disrupted the meters and pulses implied by the synths’ inherent modulations with each instrumental layer added. He also enlisted guest musicians to help him achieve this, including saxophonist Dustin Laurenzi, trumpeter John Raymond, and guitarist Drake Ritter.
Inspired by the vibrance of Cuban bata rhythms, Lumsdaine set himself to construct music that has a clear pulse but a fairly indiscernible downbeat, and ultimately makes an articulate artistic expression about finding peace within the unknown. The way he achieves this with an uncommon palette is particularly impressive on Murmuration Without End, especially considering that, as a working musician, Lumsdaine’s primary instrument is a traditional drumkit (hear his drumming on albums by Durand Jones, Chris Schlarb, Anna Butterss, and Bex Burch); but in the context of this album, he challenged himself to completely refrain from playing his drums.