why we love this
A cool pewter sky stretches across the land, casting a mist that envelops it in a quiet presence and the shroud of a total eclipse.
about the record
Will Long and John Daniel combine their methods using tape machines, loops, and computers to score a reimagining of Peter Weir's film and Paul Theroux's novel The Mosquito Coast. Drawing inspiration from the film and book as a historical pendulum, the musicians found that these reinterpretations left them nostalgic for a different time—something only partly imagined and without the defined predictions about the life cycles of mass culture based on our limited understanding of current events.
- 1 - 7° 10° 77° 83° 9:53
- 2 - The first steps onto their soil 2:44
- 3 - Hotel Mona Lisa 3:59
- 4 - Indistinguishable from magic 5:48
- 5 - A big and strange place 0:34
- 6 - Volcanic institutions 1:20
- 7 - From fire, ice 3:15
- 8 - Embera 4:35
- 9 - 5,000 feet under the surface 0:39
- 10 - Blending all of the above 3:59
- 11 - S-shaped isthmus 2:32
- 12 - Magnified pieces of thermodynamics 6:26
- 13 - The signs are everywhere 0:20
- 14 - Rights of the idea or a machine 10:33
€25,00
in stock
- 1 - 7° 10° 77° 83° 9:53
- 2 - The first steps onto their soil 2:44
- 3 - Hotel Mona Lisa 3:59
- 4 - Indistinguishable from magic 5:48
- 5 - A big and strange place 0:34
- 6 - Volcanic institutions 1:20
- 7 - From fire, ice 3:15
- 8 - Embera 4:35
- 9 - 5,000 feet under the surface 0:39
- 10 - Blending all of the above 3:59
- 11 - S-shaped isthmus 2:32
- 12 - Magnified pieces of thermodynamics 6:26
- 13 - The signs are everywhere 0:20
- 14 - Rights of the idea or a machine 10:33
why we love this
A cool pewter sky stretches across the land, casting a mist that envelops it in a quiet presence and the shroud of a total eclipse.
about the record
Will Long and John Daniel combine their methods using tape machines, loops, and computers to score a reimagining of Peter Weir's film and Paul Theroux's novel The Mosquito Coast. Drawing inspiration from the film and book as a historical pendulum, the musicians found that these reinterpretations left them nostalgic for a different time—something only partly imagined and without the defined predictions about the life cycles of mass culture based on our limited understanding of current events.
