€30,00
in stock
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A house becomes a home when its objects become belongings. Through repetitions, creatures of habit leave evidence. “Habitat II” tenderly reflects on the kind of motions that leave flattened indentations on a welcome mat, laid in front of a door that promises refuge.
Habitat, what we might now properly refer to as Habitat I, arrived fully formed in 2021, the product of a conscientious, exploratory, and decidedly Covid-era collaboration between two Berlin-based experimental musicians: composer Niklas Kramer and percussionist Joda Foerster.
Inspired by the Italian architect Ettore Sottsass, Habitat’s simple, albeit beguiling, conceit—following in the footsteps of canonical ambient releases like Music for Airports and Plantasia—was that each track would represent a room in an imagined building. Taken quite literally, tracks like “Curved Hallway” guided the listener through a kind of psychogeographic labyrinth, at once welcoming and slightly uncanny.
Habitat II operates on a similar premise. But if Habitat I charted the perplexing intricacies of an imagined, self-contained structure, Habitat II expands the conceptual realm. Think now not only of rooms in a hypothetical home, but of the winding hallways and grounds of a mid-century structure, perhaps slightly past its prime but still a fitting venue for a late-night soiree.
€30,00
in stock
A house becomes a home when its objects become belongings. Through repetitions, creatures of habit leave evidence. “Habitat II” tenderly reflects on the kind of motions that leave flattened indentations on a welcome mat, laid in front of a door that promises refuge.
Habitat, what we might now properly refer to as Habitat I, arrived fully formed in 2021, the product of a conscientious, exploratory, and decidedly Covid-era collaboration between two Berlin-based experimental musicians: composer Niklas Kramer and percussionist Joda Foerster.
Inspired by the Italian architect Ettore Sottsass, Habitat’s simple, albeit beguiling, conceit—following in the footsteps of canonical ambient releases like Music for Airports and Plantasia—was that each track would represent a room in an imagined building. Taken quite literally, tracks like “Curved Hallway” guided the listener through a kind of psychogeographic labyrinth, at once welcoming and slightly uncanny.
Habitat II operates on a similar premise. But if Habitat I charted the perplexing intricacies of an imagined, self-contained structure, Habitat II expands the conceptual realm. Think now not only of rooms in a hypothetical home, but of the winding hallways and grounds of a mid-century structure, perhaps slightly past its prime but still a fitting venue for a late-night soiree.
buitenwallepad 4, ghent fri to sat · 13:00 to 18:00
