about the record

Rooted in improvisation and guided by openness, the Klinck Trio—Adia Vanheerentals (saxophone, voice), Maya Dhondt (piano, voice), and Elisabeth Klinck (violin, voice)—crafts music in which sound and silence are equally vital. Their debut album is an exploration of fragility, unfolding like a delicate conversation in which each note is chosen with intention and every pause carries presence.

Recorded in the summer of 2024 at Studio Ledeberg, My Hair Is Everywhere captures a moment in time: three musicians meeting in sound, each bringing their own timbre, language, and presence into dialogue. Klinck offers seeds of material—metaphors, sketches, sonic ideas—that the ensemble shapes into fully formed pieces. The result is an album that stands complete, yet carries within it the openness to unfold further in live performance, where new layers and resonances can emerge.

In the spirit of American composer and pianist Meredith Monk, the trio embraces lightness and vulnerability, crafting soundscapes that feel both childlike in their intimacy and expansive in their emotional reach. My Hair Is Everywhere balances melancholy, tenderness, and harmonic interplay with silence, breath, and resonance—the subtle negative space where music continues beyond the notes themselves. By recording in close proximity, every detail emerges: the strike of piano pedals, the clicking of saxophone keys, the intake of breath, and the faint displacement of air. Textures of dragging violin, whispered fragments, and soft humming become almost tangible, drawing the listener fully into this intimate, enveloping present moment.

Above all, this debut is an invitation to listen differently: to enter a transformative space where three distinct musical voices find each other in fragility.

The artwork, created by French artist Annabelle Guetatra, reflects the album’s sense of lightness through color and playful collage work.