€12,00
in stock
why we love this
Psychoactive woodwinds coil and slither like snakes seeking warmth in a nest. Hums, rhythms, and smoke signals spill over like transmissions from another realm. This record is intoxicating in its sparseness.
about the cassette
Museum of No Art is the pseudonym of the artist and musician Mona Steinwidder. The pieces on A Serpent Called Emit document a two-year engagement with the clarinet and other woodwind instruments. In the search for simplicity, one encounters complexity. The Museum discovers connections between the poles and lets them circle around each other. Impurities find their place here, with hard cuts intended to underline the volatility of the moment, highlighting and admiring imperfection.
- 1 - Blaue Pflanze 3:28
- 2 - Percussive Expressive 3:14
- 3 - Where the Ground is Soft as Dough 5:04
- 4 - Two People Climb the Trees 5:38
- 5 - End of January 6:43
- 6 - A Serpent Called Emit 7:37
- 7 - Beginning of February 2:36
- 8 - Spirals and Nonsense 2:50
- 9 - Time for Questions 1:32
- 10 - Waiting for Natural Light to Arrive 4:11
- 11 - A Collection of Knives 8:49
€12,00
in stock
- 1 - Blaue Pflanze 3:28
- 2 - Percussive Expressive 3:14
- 3 - Where the Ground is Soft as Dough 5:04
- 4 - Two People Climb the Trees 5:38
- 5 - End of January 6:43
- 6 - A Serpent Called Emit 7:37
- 7 - Beginning of February 2:36
- 8 - Spirals and Nonsense 2:50
- 9 - Time for Questions 1:32
- 10 - Waiting for Natural Light to Arrive 4:11
- 11 - A Collection of Knives 8:49
why we love this
Psychoactive woodwinds coil and slither like snakes seeking warmth in a nest. Hums, rhythms, and smoke signals spill over like transmissions from another realm. This record is intoxicating in its sparseness.
about the cassette
Museum of No Art is the pseudonym of the artist and musician Mona Steinwidder. The pieces on A Serpent Called Emit document a two-year engagement with the clarinet and other woodwind instruments. In the search for simplicity, one encounters complexity. The Museum discovers connections between the poles and lets them circle around each other. Impurities find their place here, with hard cuts intended to underline the volatility of the moment, highlighting and admiring imperfection.
