why we love this
Icy tones and scattered voices create chaotic polyrhythms, saturating the atmosphere with an energy that is undeniably artificial, yet profoundly human.
about the record
“Chamber music meets free-party-scene warehouse-invasion”
First exhibited at EBM(T) in Tokyo, Live @ Google Data Center trespasses in Google’s data centre in Council Bluffs, Iowa to perform electronic music amongst the humming banks of servers and endless cable runs, without actually breaking in. In a process he describes as “mimetic hacking,” Kidel used architectural plans based on photos of the data centre to acoustically model the sonic qualities of the space.
The resulting acoustics on Live @ Google Data Center simulate the sound of Kidel’s algorithmically-generated notes, rhythms and melodies reverberating through the space, as though a bold illegal party was being held in the maximum security location. Kidel’s manipulation of his generative direction of the music, all inspired by images of the data centre.
“Music that deafens the silicon ear”
The generative audio patch Kidel used to make Voice Recognition DoS Attack seeks to disable the functionality of voice recognition software by triggering phonemes (the smallest units of language).
The project, first developed for the Eavesdropping series of events in Melbourne, exploits a weakness in voice recognition that cannot distinguish between individual voices. When you speak while the patch is playing, the cascading shards of human expression mask your speech and thus protect you from automated surveillance, questioning our vulnerability in the face of global data giants. In amongst these displaced sounds, Kidel fed additional musical elements into his patch to create the version of the project heard on this release.
- 1 - Live @ Google Data Center 12:11
- 2 - Voice Recognition DoS Attack 11:59
€23,00
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- 1 - Live @ Google Data Center 12:11
- 2 - Voice Recognition DoS Attack 11:59
why we love this
Icy tones and scattered voices create chaotic polyrhythms, saturating the atmosphere with an energy that is undeniably artificial, yet profoundly human.
about the record
“Chamber music meets free-party-scene warehouse-invasion”
First exhibited at EBM(T) in Tokyo, Live @ Google Data Center trespasses in Google’s data centre in Council Bluffs, Iowa to perform electronic music amongst the humming banks of servers and endless cable runs, without actually breaking in. In a process he describes as “mimetic hacking,” Kidel used architectural plans based on photos of the data centre to acoustically model the sonic qualities of the space.
The resulting acoustics on Live @ Google Data Center simulate the sound of Kidel’s algorithmically-generated notes, rhythms and melodies reverberating through the space, as though a bold illegal party was being held in the maximum security location. Kidel’s manipulation of his generative direction of the music, all inspired by images of the data centre.
“Music that deafens the silicon ear”
The generative audio patch Kidel used to make Voice Recognition DoS Attack seeks to disable the functionality of voice recognition software by triggering phonemes (the smallest units of language).
The project, first developed for the Eavesdropping series of events in Melbourne, exploits a weakness in voice recognition that cannot distinguish between individual voices. When you speak while the patch is playing, the cascading shards of human expression mask your speech and thus protect you from automated surveillance, questioning our vulnerability in the face of global data giants. In amongst these displaced sounds, Kidel fed additional musical elements into his patch to create the version of the project heard on this release.
