Bismillah

25,00

in stock

about the record

Bismillah was composed in a small house surrounded by the forest of Montmirail in France. The album is built around modular synths, field recordings, and an old organ discovered in a nearby village.

In Saraโ€™s work, the organโ€™s sustained tones meet a lyrical introspection, articulated with precision and vulnerability. The slow permutation of patterns creates an atmosphere where time and space melt into a pure, constant present.

Inspired by the pastoral setting, the sequencing used to animate the modules feels almost instinctive. In dialogue with the calls of merle birds, the sound cycles grow more complex over time, with DIY drum-machine loops and distorted field recordings adding an unpredictable counterpoint.

On the cover, bushes, trees, and owl shadows were photographed in the very place where the album was composed. Simple melodies appear and disappear, mirroring the subtle movements and shadows of the surrounding landscape.

  1. 1 - Deฬsinteฬgreฬs 01:16
  2. 2 - GDO 02:09
  3. 3 - Old lady's lover 03:03
  4. 4 - Plus tu parles 03:34
  5. 5 - J'aboie 02:16
  6. 6 - Bless you 01:22
  7. 7 - Old lady's loss 02:16
  8. 8 - La dernieฬ€re et la premieฬ€re 01:55
  9. 9 - Aฬ€ la fosse des saules 03:16
  10. 10 - Des cordes 03:10
Bismillah

25,00

in stock

  1. 1 - Deฬsinteฬgreฬs 01:16
  2. 2 - GDO 02:09
  3. 3 - Old lady's lover 03:03
  4. 4 - Plus tu parles 03:34
  5. 5 - J'aboie 02:16
  6. 6 - Bless you 01:22
  7. 7 - Old lady's loss 02:16
  8. 8 - La dernieฬ€re et la premieฬ€re 01:55
  9. 9 - Aฬ€ la fosse des saules 03:16
  10. 10 - Des cordes 03:10

about the record

Bismillah was composed in a small house surrounded by the forest of Montmirail in France. The album is built around modular synths, field recordings, and an old organ discovered in a nearby village.

In Saraโ€™s work, the organโ€™s sustained tones meet a lyrical introspection, articulated with precision and vulnerability. The slow permutation of patterns creates an atmosphere where time and space melt into a pure, constant present.

Inspired by the pastoral setting, the sequencing used to animate the modules feels almost instinctive. In dialogue with the calls of merle birds, the sound cycles grow more complex over time, with DIY drum-machine loops and distorted field recordings adding an unpredictable counterpoint.

On the cover, bushes, trees, and owl shadows were photographed in the very place where the album was composed. Simple melodies appear and disappear, mirroring the subtle movements and shadows of the surrounding landscape.

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