Wind, Again

32,00

in stock

why we love this

Neither anchored in tradition nor adrift from it, Sary Moussa shapes a personal language of memory and resonance. He finds clarity in the tension between gesture and structure, presence and distance.

about the record

Wind, Again is Sary Moussa’s fourth studio album and second album on Other People. Based between France and Lebanon, Moussa returns with a riveting electro-acoustic album informed by his ever-changing relationships to space, listening, and resonance, as well as his growing interest in the study of harmonics in electronic and electro-acoustic music.

Years in the making, Wind, Again approaches distinct musical worlds and languages by bringing together improvisations by musicians performing on Western and West Asian instruments such as the Hammond organ, clarinet, saz, and buzuk with electronic arrangements and textures. Rather than force a rapprochement of these musical worlds through the instruments—and keenly aware of the weighty sonic histories they carry—Moussa proposes another way through which they can exist together in contemporary electronic composition.

  1. 1 - I Will Never Write a Song About You 08:32
  2. 2 - Everywhere At Once 07:06
  3. 3 - White Dust 06:59
  4. 4 - Violence 08:19
  5. 5 - Everything Inside a Circle 05:31
  6. 6 - A Storm, a Gift 07:48
Wind, Again

32,00

in stock

  1. 1 - I Will Never Write a Song About You 08:32
  2. 2 - Everywhere At Once 07:06
  3. 3 - White Dust 06:59
  4. 4 - Violence 08:19
  5. 5 - Everything Inside a Circle 05:31
  6. 6 - A Storm, a Gift 07:48

why we love this

Neither anchored in tradition nor adrift from it, Sary Moussa shapes a personal language of memory and resonance. He finds clarity in the tension between gesture and structure, presence and distance.

about the record

Wind, Again is Sary Moussa’s fourth studio album and second album on Other People. Based between France and Lebanon, Moussa returns with a riveting electro-acoustic album informed by his ever-changing relationships to space, listening, and resonance, as well as his growing interest in the study of harmonics in electronic and electro-acoustic music.

Years in the making, Wind, Again approaches distinct musical worlds and languages by bringing together improvisations by musicians performing on Western and West Asian instruments such as the Hammond organ, clarinet, saz, and buzuk with electronic arrangements and textures. Rather than force a rapprochement of these musical worlds through the instruments—and keenly aware of the weighty sonic histories they carry—Moussa proposes another way through which they can exist together in contemporary electronic composition.

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