The Invisible Road: Original Recordings, 1985–1990

28,00

in stock

about the record

The Invisible Road: Original Recordings, 1985–1990 compiles an unheard and previously unreleased body of work by Sussan Deyhim and Richard Horowitz — dissidents from diametric backgrounds who met during the heady days of Downtown New York in the 1980s. This collection reveals the creative and life partners’ radical shared vision of avant-garde pop in all its boundary-pushing freedom, combining Deyhim’s singular approach to vocalization, Horowitz’s invention of new musical languages, and touchstones of traditional music from around the world to form a sound that ultimately retains a voice entirely its own.

  1. 1 - Siren and Secrets 01:27
  2. 2 - Craving Your Embrace 04:32
  3. 3 - Monkey See, Monkey Do 03:04
  4. 4 - Invisible Road 02:25
  5. 5 - There's No Romance, You're So Extreme 02:56
  6. 6 - A Calling / Navai 02:45
  7. 7 - Smelting Loop 6 03:52
  8. 8 - Leyla Khanoum 02:38
  9. 9 - Smelting Loop 1 04:52
  10. 10 - Bedouin's Way 03:18
  11. 11 - Botehcheen 02:31
  12. 12 - Celestial Shimmer 04:59
  13. 13 - Smelting Loop 2 03:33
The Invisible Road: Original Recordings, 1985–1990

28,00

in stock

  1. 1 - Siren and Secrets 01:27
  2. 2 - Craving Your Embrace 04:32
  3. 3 - Monkey See, Monkey Do 03:04
  4. 4 - Invisible Road 02:25
  5. 5 - There's No Romance, You're So Extreme 02:56
  6. 6 - A Calling / Navai 02:45
  7. 7 - Smelting Loop 6 03:52
  8. 8 - Leyla Khanoum 02:38
  9. 9 - Smelting Loop 1 04:52
  10. 10 - Bedouin's Way 03:18
  11. 11 - Botehcheen 02:31
  12. 12 - Celestial Shimmer 04:59
  13. 13 - Smelting Loop 2 03:33

about the record

The Invisible Road: Original Recordings, 1985–1990 compiles an unheard and previously unreleased body of work by Sussan Deyhim and Richard Horowitz — dissidents from diametric backgrounds who met during the heady days of Downtown New York in the 1980s. This collection reveals the creative and life partners’ radical shared vision of avant-garde pop in all its boundary-pushing freedom, combining Deyhim’s singular approach to vocalization, Horowitz’s invention of new musical languages, and touchstones of traditional music from around the world to form a sound that ultimately retains a voice entirely its own.

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