ZOTASPHERE

28,00

in stock

about the record

ugne&maria is a collaboration between Marija Rasa Kudabaite and Ugnė Vyliaudaite. Their musical style is characterized by a multilayered, downtempo, yet danceable approach, incorporating violin, synthesizers, and sampling techniques.

The eight songs featured on the record came together slowly, bit by bit. Diary-like, each track reflects on different moments and life events that have followed ugne&maria over the past couple of years. Layers of sound and layers of memory are interlaced into the album, an embodiment of all that feels distant, yet still present.

Most of the tracks move around a steady, unhurried pulse, never faster than 120 bpm. Some tracks even ended up being intentionally slowed down, as if the music itself wished to breathe more, mirroring life’s natural pace, with elements stretching, shifting, and decelerating. Focused on bass and rhythm, influenced by the depth and warmth of classic house and low-end music, ugne&maria let the sounds drift elsewhere. The violin became a voice, the voice became a texture.

  1. 1 - where to? 03:36
  2. 2 - slip 04:37
  3. 3 - la tete vide 03:12
  4. 4 - xmas rec 03:44
  5. 5 - I contain Multitudes 02:49
  6. 6 - a tidal pull 03:33
  7. 7 - take it back 04:03
  8. 8 - zota forever 03:38
ZOTASPHERE

28,00

in stock

  1. 1 - where to? 03:36
  2. 2 - slip 04:37
  3. 3 - la tete vide 03:12
  4. 4 - xmas rec 03:44
  5. 5 - I contain Multitudes 02:49
  6. 6 - a tidal pull 03:33
  7. 7 - take it back 04:03
  8. 8 - zota forever 03:38

about the record

ugne&maria is a collaboration between Marija Rasa Kudabaite and Ugnė Vyliaudaite. Their musical style is characterized by a multilayered, downtempo, yet danceable approach, incorporating violin, synthesizers, and sampling techniques.

The eight songs featured on the record came together slowly, bit by bit. Diary-like, each track reflects on different moments and life events that have followed ugne&maria over the past couple of years. Layers of sound and layers of memory are interlaced into the album, an embodiment of all that feels distant, yet still present.

Most of the tracks move around a steady, unhurried pulse, never faster than 120 bpm. Some tracks even ended up being intentionally slowed down, as if the music itself wished to breathe more, mirroring life’s natural pace, with elements stretching, shifting, and decelerating. Focused on bass and rhythm, influenced by the depth and warmth of classic house and low-end music, ugne&maria let the sounds drift elsewhere. The violin became a voice, the voice became a texture.

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